Revisiting an Oldie From a New Generation

Many have categorized oldies as songs that have a certain flair to them and have something memorable. Spice Girl’s “Wannabe”, Deep Purple’s “Smoke on the Water”, and Queen’s “Bohemian Rhapsody” are a few songs that qualify as oldies.

Japan has a plenitude of oldies too. Each decade presents a distinct set of tunes and genres that capture the attention of many. But sometimes, an oldie might be considered “too old” by the newer generations as the musical arrangement or even the vocals are outdated. That leaves one question: How can people today enjoy a very popular oldie from an older decade like the 1970s? The answer is simple, just reinvent it with today’s sounds and fresh faces.

That isImage and video hosting by TinyPic what exactly Pink Babies is all about. Called the sister group of the legendary idol duo Pink Lady from the 1970s, Pink Babies cover a lot of lovable tunes from the duo and the 70s. Pink Babies formed in 2013 with several girls. The lineup has changed over the years, as one of the members pointed out to me on Sunday during the handshake event, as the current roster has ten girls. These girls cover popular tunes as well as unknown stuff from albums and b-sides.

Pink Babies released their first cover single, “Nagisa no Sinbad”, in the summer of 2015, first at Jan Expo and then at Tokyo Idol Festival. I actually picked up a copy that was signed by Aina at TIF. The group continues to release singles at least once a year while performing at small festivals and venues within Tokyo.

The group went around to various cities in Japan to perform and hold events at various malls to celebrate the release of their second single. One of the spots they visited was the Parco Shopping Mall in the heart of Nagoya’s shopping district. The event had three parts: a mini-live, handshakes, and then photo ops. In order to participate in the later two events, you had to buy their new single beforehand or on the day.

As it was mall event, the stage area was pretty small. The crowd was pretty small too as around 30 people showed up for the mini-live. A small percentage of the crowd were people who were passing by. These lives are a bit up-close and personal as the distance between the stage and the crowd are a few meters. Heck, I had a great view from my spot despite the speakers being in the way as I was a couple of meters away.

The mini-live started on time with the girls performing these songs:Image and video hosting by TinyPic

  1. SOS
  2. MC
  3. Dou ni mo Tomaranai (Rio O., Chinatsu, Aina, Sara)
  4. Kuruwasetai no (Mayu, Rio S., Kotono, Saho, Yui)
  5. Hoshi Kara Kita Futari (Mayu, Aina, Yui, Sara, Chinatsu)
  6. Catch Lip (Kotono, Saho, Rio O., Rio S., Yukari)
  7. MC
  8. Southpaw
  9. MC
  10. UFO

Pink Babies are pretty good in terms of being an idol group. They have mediocre vocals but have an array of girls that have their own appeal. However, my only concern about the group is “how” they perform each song. Even though Pink Lady had unforgettable performances, the group did have outfits and dance movements that were considered maybe too risque. They frequently showcased their legs (and body) as they wore tight spandex outfits with very short skirts or no bottoms. Pink Lady also had dance movements that center around their legs.

I don’t know iImage and video hosting by TinyPicf it was a positive or a negative for the duo as they were 18 years old when Mie and Kei started to perform. However, I wasn’t really satisfied when I first saw Pink Babies performing such songs at the Tokyo Idol Festival two years ago. I felt like the stuff they were performing was a bit too much or risqué for these girls. The group was then composed of girls between 12-16 years old, singing and dancing almost like their big sisters some forty years ago. I just felt weirded out seeing such young girls publically performing dances that were more suitable for late high school to college girls. But, that is the nature of the Japanese idol industry and the argument about “what dances, outfits, and songs are too much for idols” could be saved for another day. I am just relieved after seeing the mini-live on Sunday that the group has mellowed out and matured a bit where singing and performing Pink Lady songs wouldn’t be bothersome.

The handshake was after the mini-live. You could shake hands and have a 30-second conversation with each member if you bought a CD. I felt like I had more time with each girl compared to past events with other idol groups as I could talk about many things with the members. When the handshake event finished, then it was time for a photo-op. Depending on how many CDs you bought, you could get a picture with a member. Or, you would play a game where someone would pull out a slip of paper that contained one of various photo-op Image and video hosting by TinyPicoptions. The options were: a two-short or three-shot miniature Polaroid, a 30-second minute video with your favorite member, a group shot with all the members, and etc. I took my chances and picked from the box. I got a chance to take a miniature Polaroid with two of the members. So, I picked Nagoya native Rio O (or Ohrio) and Chinatsu (because she told me her favorite princess is Belle, just like mine).

Like I said before, Pink Babies isn’t a bad group.  They are worth checking out if you like to listen to covers of oldies, if you a fan of Pink Lady or old Jpop tunes, and/or like idol groups. I love them and have learned much more about Pink Lady’s songs, especially my new favorite song “Catch Lip”, from this cute group.

Image and video hosting by TinyPic

After Thought: The Beginning of a New Adventure (aka My Thoughts on ℃-ute Disbanding)

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It comes as no shock as the Japanese pop girl group ℃-ute announced that they are disbanding on June 2017. The reason? The girls realized that they have completed their idol dreams and have developed new ones. Many are sad that some of the girls are going into “disappointing” careers. Some are just sad as they are kicking the can. But, nothing ever really last forever. Even SMAP, who has been in the Jpop idol business long before these girls made their début in 2006, is announcing that they are disbanding by the end of this year (Thank god!).

I should be sad. I should feel sorrow for these lovely girls who are about to leave their singing careers. I should be saying something along the lines of “Like come on, Airi, you should be a solo singer”.

But, I am not.

I am really not.

It has been predicted for a long time that these girls would eventually graduate Hello! Project someday. Let’s face it. We knew that the other H!P Kid members were going to be grouped into another kids unit after Berryz Koubou was sticking with a permanent line-up by mid-2004. We also knew that ℃-ute would eventually break-up when Berryz Koubou disbanded last year. It’s just a simple cause and effect.

To tell you the truth, I wasn’t a big ℃-ute fan for a long time. Sure, I love a couple songs here and had a favorite member or two (Hey, Erika Umeda!) there. Yet, I was more into Berryz Koubou starting from my high school days to recently as they had talented members, catchier songs, and a stable lineup.

I actually lost interest in ℃-ute around 2009 or 2010 when Umeda graduated. She was my favorite even though she barely got any lines and was more of a background performer. Nevertheless, she was an interesting girl and was a good performer. At least she was able to carry a tune and dance pretty well unlike some girls…

The group’s musical quality has been diminishing over the recent years. It is true that the girls have grown-up and thus their musical and style tastes have changed. However, it didn’t get better, it got worse. I blame someone who calls them ℃-ute’s vocal couch as I feel like he or she didn’t coach them well. Airi can’t sing high notes really well anymore, Mai’s vocals got worse over time, and Chisato had to get surgery because of nodes. You hear this limiting and painful vocal style of not properly singing through your nose in other groups sadly. I experienced it first hand with a trial lesson at a well-known vocal studio.

One more thing, ℃-ute’s songs are always a hit or a miss. Other groups within Hello! Project (like Berryz Koubou) had more memorable songs than ℃-ute ever really did. I mean some songs like “Dance de Bakoon!”, “Bye Bye Bye”, “Massara Blue Jeans”, “THE FUTURE”, and others are impressive.  Hell, “Dance de Bakoon!” is a superb signature song for  ℃-ute as it’s funky and makes you want to dance. Still, there is a handful of the group’s songs are lackluster or have not a lot of meat on the bone. I still think one their latest songs named “Naze Hito wa Arasoun Darou?” is too mundane. Maybe that is because a) UFA is giving this group the short end of the stick or b) UFA is just having a bad year in producing decent good music (which isn’t really the case because Morning Musume. had a great single this year…)

Nonetheless, I am happy that the girls are going into something they love to do. Furthermore, they seemed to be pleased with their eleven-year career.

Maybe we should start making predictions for their last concert? I am secretly wishing that Erika Umeda would come back…

By the way, enjoy my favorite ℃-ute song, the 80’s flavored “Bye Bye Bye” (I think it would be something that Duran Duran would do):

P.S: I was watching a lot of C-ute’s music videos today. Oh my word, the music video for “Kanzen na Otona” is awful. The shot is 0:13 is so horrible that I want to call it something like “Dinosaurs Ready for Dinner” because it looks like it:

Morning Musume Creates a Modern Vision

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As I sit and write this, I am listening to the livestream of Kanon Suzuki’s final concert with Morning Musume. It’s a very sad day for many fans, including me, as we have to say our final goodbye to Kanon as she is retiring from show business to focus a career in social work.

Why do I like Kanon Suzuki?

What in earth possess me to like an idol group?

Am I crazy or what?

Those are the questions that I, friends, and my coworkers have been asking as to why I like Morning Musume. In Western countries, people get weirded out if you say you are a fan of AKB48 or any idol groups. Maybe because most of these groups are filled with girls under the age of 18 and are usually dressed in a less conservative outfit. Some of these groups’ fan bases are made up of males who are over the age of 35, which is a bit creepy.

However nowadays, there are a increasing number of female fans. Someone who went to Meimi Tamura’s graduation (from ANGERME) concert noted that there were more females at that concert than usual. But, these fans have different and unique reasons why they like idols.

My reason for liking Kanon Suzuki, a reason that I have been thinking about during this whole month, is a very personal one as Kanon was a brave, inspiring person who didn’t have the negatives of life get to her. Kanon was able to be herself while rising above the loads of bitter fan comments about her weight. She used her personality as a charm point, being natural funny and always smiling while not letting the negatives of life bring her down. She was always thinking about the people surrounding her, hoping to make them all smile.

Originally, I wasn’t going to talk about “THE VISION” because I felt that “Utakata Saturday Night” was Kanon’s true graduation song as it featured her a lot. But, I can see that “THE VISION” was somewhat a graduation song for her from Tsunku. (“Utakata Saturday Night” was surprisingly not written by Tsunku at all. :O)

If you take a look at his notes about the song, Tsunku writes that he wrote the song when he was thinking of Suzuki and the changes she will embarked after her graduation. He used his experiences from the early days of SharamQ, the dreams expressed in the eyes of the students at the Kindai University Opening Ceremony in 2015, and the dreams of Kanon and Riho Sayashi to penned the lyrics about the future vision that everyone envisions and hopes to gain.

I really love the lyrics as it relates to the ups and downs of achieving goals during life. But, what I love most about “THE VISION” is the piano part. When I fully listened to this song at the Morning Musume. concert on Saturday, I was surprised how modern it was. I kept on thinking this song was a Daniel Powter or John Legend song due how Tsunku used the piano. I feel that if you were going to play Morning Musume music to Americans who never heard of the group before, “THE VISION” would be the best option as the song is relatable to modern piano pop artists.

However, the song does have some weak points. I really wished that Tsunku didn’t used the clapping sound effect or the electric drum kit as they watered down the song’s quality a bit. Like I understand that Tsunku is trying to mix piano pop with EDM (and Tsunku does produce amazing EDM music), but this song isn’t suppose to be an electronica song. Even Tsunku mentioned that the song is “whimsical”. I don’t think you can’t get that feeling with electronic instruments. I think it would be better to get rid of the clapping effects, the synthesizer during the instrumental break, and the electric drum kit and replace them with something more natural like a snare drum and a classical piano.

“THE VISION” is one of the best songs that the modern Morning Musume has ever put out. It’s modern, refreshing, and beautiful. The song’s peaceful atmosphere combined with its inspiring lyrics makes “THE VISION” a must listen to all ages, even if you are moving onto a new part of life or not.

Congratulations on your graduation, Kanon Suzuki! Best on luck on your future! Hopefully your vision will come alive soon!

 

Reporting Live: ayumi shibata promoting “Babyrock” at Kanayama Asunal (August 6, 2015)

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It seems that this weekend is Up-Front Group Weekend! I talked about Morning Musume’s first English song on Friday. Then I saw Ciao Bella Cinquetti yesterday, performing a mini-live at a mall in central Nagoya.  And now I am going to talk about a former Hello! Project member, ayumi shibata.

This sweet-sounding singer got her start in 1999 after passing the 2nd Morning Musume and Michiyo Heike Little Sister Audition with three other girls: Hitomi Saito, Megumi Murata, and Masae Ohtani. These four then-teenagers formed the group Melon Kinenbi and released their debut single and one of my favorite songs, “Amai Anata no Aji”, in the winter of 2000. While releasing material with the group and going on various concert tours, ayumi also participated in various project in Hello! Project like 11WATER, Tanpopo, Elegies, and others.

However, she left Up-Front Group for another agency, Trick Function, a month after Melon Kinenbi broke up in 2010. She changed agencies in order to start a solo career with a clean slate. She performed her first self-penned song, “YOU&I”, during a small event held in Tokyo a few months later. ayumi wouldn’t release a physical debut single until a year later when “believe” was released.

“Babyrock” is the newest digital single released by this artist under the label SMC Entertainment. It is described as a pop-rock tune with a lot of girly rock flavor packed inside. You could say that this song is more upbeat than a Kana Nishino song while slower than one from Ai Otsuka. But what makes “Babyrock” different from other girly pop-rock songs is that this piece is very upbeat, has a summer-like flavor, and always presents a positive feeling. The nature of the song makes you want to stand up and bounce to the beat during the chorus as it’s so refreshing and makes you feel totally happiness.

As the blog Selective Hearing mentioned in their review, “Babyrock” is actually similar to the pop-rock music that Melon Kinenbi was doing at the end of the group’s career. So if you were fan of that side of Melon Kinenbi, you would most definitely love “Babyrock”. Plus, it really suits ayumi’s vocal skills. Although her vocals are not the best and can be too nasal sometimes, they mesh pretty well with the instrumental. ayumi wasn’t my favorite Melon Kinenbi member (That honors goes to Masae Ohtani, who had amusing song names) but she is pretty decent and got some decent material for a solo career.

During late July and August, ayumi went around to various malls, radio stations, and venues to promote her new single. One of the places she visited was Kanayama Asunal, which was holding a tenth anniversary special live for a weekly @FM radio program on August 6th. She was one of three guests who appeared at the live event along with the mall’s own idol group Juliet and an acoustic version of T.M. Revolution, Bokota.

I was able to find a seat in the bench section that was located in front of the stage thirty minutes before the live’s start time. It was very hot during that time and I really didn’t want to stand up for the entire time. During the long wait, Juliet came on to do a mic check and to practice their songs.

Then the live event started promptly at 6:30 pm. The event was formatted like a radio program where the artists would perform a couple songs while getting interviewed by the show’s hosts in between. The first group up was Juliet, whom I didn’t bother to pay any attention to because they were not my cup of tea. Their vocal skills were weak and I felt like they had bad makeup and/or fashion. They looked like unflattering Barbies. This group didn’t really appeal to me when I watched them perform.

Thirty minutes after the show started, Juliet exited the stage while the show’s hosts then introduced the one person I came to see. This singer started off her mini-live by singing a fast-paced song. ayumi sang about four songs in total during her time on stage. I don’t know exactly what were the songs but I suspect that the majority of what she sang came from her single “Hito Kakera no Kiseki”. I just remember that she sang a beautiful ballad that almost brought me to tears as it was so touching. She closed the program by singing “Babyrock” which she rallied up the audience to clap along.

After she finished, I decided that I wasn’t going to stick around for Bokota as I was too hungry to stay. I went to Chieco Kawabe’s Hawaiian-themed pancake shop “88 Huit Huit”. While Chieco is my favorite Sailor Mercury ever (besides Ayako Morino), the restaurant has tasty food and great drinks.

If you are into the likes of Carly Rae Jepsen, Kana Nishino, Ai Otsuka, or other pop-rock female artists, then you should absolutely out “Babyrock” below with no hesitant. It’s an upbeat song that leave you with a good feeling inside and outside.

Musical Reactions: Morning Musume. 15 Wants To Tell You That They’re the “One and Only” with This Tune

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Morning Musume. or even their umbrella group Hello! Project has been impressing fans around the world since their debut eighteen years ago. From the shocking selections of new members from Mr. Producer himself, Tsunku, to their attempts to reach fans overseas with adding members with diverse skills, this Japanese girl pop group tries to keep their fans on the edge by challenging themselves with new goals. This group even has amazed me over the year in terms of their sound as they transitioned quite seamlessly from disco-themed hits like 1999’s “LOVE Machine” to the EDM music that the current line-up is known for.

However, their amazing dance routines and the diversity of the member’s skills isn’t the only things that makes this group astonishing.

This does:

 

The song above is called “One and Only” which is the current opening theme for the music program “J-MELO” on NHK World. One of the things that surprised me when I first listened to the song is that the whole thing is in English, a language that was very challenging for most of the group’s members.

This song feels like it features a lot of Miki Nonoka, a member who is a native speaker of English due to living overseas in the US. That is understandable since Nonoka is an ideal lead for this song due to her English ability. But, what irks me is that it seems like the mixer cranked up the volume on Miki’s vocal track. I feel that during the group chorus, the only person I can hear is Miki as her vocals consume the others. Or maybe I am just imagining things as: (a) I just can’t pick out everyone’s voices just yet (which is unlikely) or (b) since everyone got the same coach to teach them the English pronunciation, each member just have the same vocal style and pronunciation while singing in English. Just wish I could  hear a little more of Kanon Suzuki’s lines. 😦

What makes this song kind of confusing is its identity. Is it a traditional pop song? Or is it an EDM tune? I recently read up on Tsunku’s notes to see what was the song’s style. The only thing he mentioned is the song’s changing keys and the cool guitar riff during the intro. I feel like the guitar riffs are the best part while the generic claps and the EDM-style synthesizer sprinkled here and there are the worst parts. The song doesn’t really need them as the guitar and bright piano got everything covered. I know it’s the current trend for Morning Musume. But seriously, won’t it be nice to take a break from EDM once in awhile? Go traditional!

Some people have complained about the lyrics contents as the words are just plain terrible. For me, I personally don’t care about the lyrics. I am just happy that they are in English and the girls are trying their best to sing them. But, I do think that the dance is a bit whack, especially at 0:03.  Dance moves like that makes you question what was the choreographer thinking when he or she came up with the moves. Did you really want Morning Musume do some mutated dance routine from “Thriller”?

Overall, the song is decent. Will it be a hit? Naaah. Is it decent? Yes if you just ignore the weird dance movements and the annoying EDM instruments that pops up time to time. I wish it featured more members and wasn’t a “Miki Nonoka featuring other members that are supposedly part of this group, whaaaaaaat?” song.

What do you think about Morning Musume’s first English song? Is it good? is it horrendous? Comment below!

 

Music Reactions: Crystal Kay Refreshes Everyday Life with “Nando Demo”

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We are approaching the end of the year where we start to reflect about the events and people who influenced our lives. We might celebrate a new addition to our lives, mourn for a loss, or just go “Eh” as we feel like nothing really stood out. Each one of us ends each year with our own personal style. Crystal Kay is ending this year with a tune that is invigorating and optimistic.

Crystal Kay has been one of my idols since I was introduced to Japanese music about fourteen years ago. My first Crystal Kay song was “Girl’s Night”, a tune with a feel-good, teenage R&B sound that can be found in songs by Destiny’s Child, Christian Milan, and early 2000 R&B artists. I became an even bigger fan as she released two of my favorite Japanese R&B albums: “4 Real” and “Crystal Style”. Every song in her discography clearly displays Crystal’s diverse talent, for instance, the hardcore rap line in n “Bye My Darling!” to a sophistic ballad like “Motherland“.

Why do I like Crystal Kay so much? Besides the fact that we both share the fact that one of our musical inspiration is Janet Jackson, her music is revolutionizing yet remarkable. When Crystal made her musical debut in 1999, R&B and hip-hop music was still in infancy in Japan. Hikaru Utada just introduced the sounds to the Japanese market a year before with the ground-breaking single “Automatic / Time Will Tell”. This made Japanese fans wanting more of this intriguing sound.

Crystal met that demand when she released her first single “Eternal Memories” on July 1, 1999. Most of her earlier works, before the best album “CK5”, were styled similar to American R&B music at the time. Which is great because this helped the Japanese audience to more R&B. However, it wasn’t truly her sound. To be honest, I don’t think Crystal really released anything groundbreaking until her collaborations with m-flo in 2003. However, Crystal has been able to create her own sound over the past couple of years as she is more in control of her music and her image.

What else I love about Crystal Kay is that she is different from many of the mainstream artists out there. Instead of hiding it, she celebrate her diversity openly and inspires others to do the same. Before she made her debut, the public barely saw any half-Japanese artists, models, and entertainers. But it all changed as she seen more and more artists popping up, including Emi Maria who calls Crystal her idol and inspired her to pursue a career in music. Yes, she is Korean. Yes, she is a black American. Yes, she can speak fluent Japanese. Yes, her music influenced by Janet Jackson. That is what makes Crystal AMAZING! And she proudly shows that!

“Nando Demo” might remind you of Crystal’s best selling single “Koi ni Ochitara“. Sure, both songs features up-lifting lyrics, simplicity, and a positive beats. However, what makes “Nando Demo” different from “Koi ni Ochitara” is that it has some sort of a Christmas feel to it. Maybe I am just judging by the prominent use of bells and a bright piano melody featured in cut time. However, Christmas is more about Santa, the winter seasons, and presents. It’s really about being generous, hope, and love. And, “Nando Demo” displays these adjectives pretty well with the lyrics such as the “Nando demo soshite nando demo yume wo egaite wa mata kaki naoshite” during the chorus.[1]

Crystal Kay has has done it again with the splendid “Nando Demo”. You can watch below:

I am realllllllllllllllllllllllllllly excited to see Crystal when she stops in Nagoya for her new album’s promotional mall tour. I will update my blog about the tour after it happens. Stay tuned! 😀


References

[1] Crystal Kay – Nando Demo. (n.d.). Retrieved November 7, 2015. <http://www.chachajjang.info/2015/11/nando-demo.html&gt;

Reporting Live: ANGERME promoting “Nanakorobi Yaoki” at Toyoyama’s Airport Walk (June 14, 2015)

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One of my dreams came true this summer when I was given a chance to meet a Hello! Project (or H!P for short) group. I been a Hello! Project fan for about eleven years now and I haven’t stop loving them as old members leave and new ones come in. I was also able to meet one of my favorite H!P members, Kanon Fukuda. Yes, I was able to meet ANGERME!!! 😀

ANGERME originally started off in 2009 under the name S/mileage with four members who were picked from the Hello! Project trainee program. Hello! Project is an umbrella group that represents very popular Japanese groups and acts like Morning Musume, Berryz Kobo, Aya Matsuura, Maki Goto, and others. Having a chance to debut in a group that is associated with Hello! Project is a tremendous honor as the groups under Hello! Project are considered top idols across Japan. In the past, new members for these groups have been picked through random auditions. However, producers and managers have been forming groups lately with members in the trainee program as these girls have been taught the ways of Hello! Project.

With a group name that blends together the words “smile” and “age”, S/mileage made their indies debut with the single “aMa no Jaku”. They released three more indie singles, including one of my favorites “Otona ni Narutte Muzukashii!!!”, before the infamous Hello! Project producer Tsunku announced that the girls would make a major debut if they completed a mission, collecting 10,000 photos of people smiling. The girls were able to complete their mission and released their debut single “Yume Miru Fifteen” on May 26. “Yume Miru Fifteen” was an instant success and fan favorite as it reached #5 on the daily Oricon charts. I even loved it as it’s strong, cute, and some different from the other groups.

Over the years, S/mileage added more members as two graduated from the group. In 2015, the group changed their named to ANGERME, a combination of two French words that meant “angel” and “tears”. Sorry guys, it doesn’t mean the group is angry at all. The group also changed their image; going from a girly cute sound with everyday teenage thoughts to a much mature one with hard truth lyrics.

I was very grateful to go this event thanks to my friend Petit Melon who told me about this event. And, I was also grateful for a couple of people in the Hello! Project fandom who bought singles through me so I could use their tickets for the handshake event. Meeting any member of Hello! Project is a dream come true because I loooooooooooooove Hello! Project. Yes, I’m a die-hard fan.

After I left early from the HR mini-live event, I caught a bus from Nagoya Station to a mall that is next to a regional airport outside the city. It took about thirty minutes to get there. But as soon as the bus reached the mall’s bus stop, I got off the bus and raced to the event space which was on the third floor. While on the way up, I bumped into the crew of the Solar Impulse 2 plane, who were grounded for a while in Nagoya due to weather problems.

I reached the event space and quickly bought the tickets and obtained the handshake tickets. I then went to the side as the staff were lining up people based on their ticket numbers. It took a while, but I got a spot in the middle section and next to a good-looking male fan who I was trying miserably to make small talk with him. I was shy as well as I didn’t know what to really talk about besides “Who is your favorite member?”. I missed my chance in having a boyfriend. 😦

The set list was:

1. Gashin Shoutan (臥薪嘗胆)
Introductions MC
2. Mahoutsukai Sally (魔法使いサリー )
3. Please Miniskirt Postwoman! (プリーズ ミニスカ ポストウーマン!)
4. Taiki Bansei (大器晩成)
Announcement MC
5. Nanakorobi Yaoki (七転び八起き)

Overall, it was a pretty good mini-live. I was really excited when they sang “Please Miniskirt Postwoman!”, “Taiki Bansei”, and ‘Nanakorobi Yaoki” as they are pretty awesome. So awesome that I joined the fans as I sang, danced, jumped up and down, and did other crazy (but appropriate) things. I had a blast!

As soon as the mini-live finished, the girls thanked everyone for coming and exited the stage as the staff prepared for the handshake event. There wasn’t much preparation; just put a couple of tables on the stage and make a line at the beginning of the event space. It didn’t take a long time until the girls came out and the line was moving.

I went through the handshake line four times, each time lasting barely a minute. I barely had a second with each girl as the staff hurried me along. General handshake events for Hello! Project are usually fast-paced as there is a lot of people to get through the line. The first time I went through the line. it was a mad rush to say a message to each girl like “Congratulations” to Kanon or “I Love You” to Meimi. My nerves and pacing got better gradually as I became relaxed by the fourth time. The members were starting to be more open as a lot of the members, especially the third generation, tried to speak English.

This event was one of the highlights of this year because I loooooooooooove ANGERME. I love Kanon (the Kago Ai look-a-like), Rikako, and Meimi. And, I love their music; both Smileage’s and ANGERME’s. It is so great, just listen to “Nanakorobi Yaoki” below. A haunting but uplifting song that talks about never giving up even if you fail many times.

And if you like that, check out ANGERME’s discography!