The Eternal Legend of the Queen of Hip-Pop: Namie Amuro

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September 16, 2018.

A day that will go down in modern music history books as a day full of sadness. A golden star has finished shining brightly in the music world. Some in the Western Hemisphere might have never heard the Queen of Hip-Pop. But, many have in the Eastern Hemisphere world.

That one person is Namie Amuro.

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The Soothing Sound of “Sekai no Yakusoku” Will Calm Down Your Busy Day

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My nine-day “staycation” started last Friday at 6 pm. Many around Japan went overseas, did various activities around the country, or visited loved ones. Yet, I decided to do a “staycation”. Yes, it seems boring: me staying inside my apartment and surroundings for about a week. But, I love it since I could stay in bed for long periods of time, read various materials, be minimalistic, and deep clean.

That Friday, I pondered on what should I do on the first night of freedom: Should I do something or go to bed early so I could start my vacation off right by waking extra early on Saturday? Continuing to think about, I checked the TV Guide to see what was going to be the movie of the night. And by chance, it was going to be one of my favorites.

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J-R&B Goddesses SILVA, DOUBLE, and SUGARSOUL Come Together to Celebrate a Glorious Time

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The temps keep on soaring here in Japan, it was 104°F (around 32°C) on Friday! It feels even more horrible with this terrible cold I caught about a week ago. Thank goodness it’s the weekend where I can drink lots of Aquarius (a Japanese sports drink packed with electrolytes), medicine, and sleep under the air conditioner for long periods of time.

While I am laying in bed and trying to fend off this cold, my companion is Spotify. Song after song resonates from my iPhone as I lay down, closing my eyes to ward off the fatigue. When I am conscious, I check out the music sites I follow to see what got released recently. I jump out from bed in excited, ready to find their new song, when I see three names:

SILVA, Double, and Sugarsoul

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Drift Away to an Island Paradise with Anri’s “Windy Summer”

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Summer has finally begun here in Japan. “Umi no Hi” Sea Day is the unofficial start of summer as the rainy season is over and it’s time to enjoy the sun. But, unlike the photo above, Japanese summer is nothing like a tropical paradise. We have reached the dog days of summer! Today’s temperature was 40°C (100°F) with humidity levels hanging around 80%. It ‘s a perfect day to hide indoors and dream about a cool tropical paradise with Anri’s “Windy Summer” under the air conditioner.

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“Are you Happy” with Morning Musume’s Latest Song?

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What is your current earworm?

Mine is Morning Musume. ’18’s “Are you Happy?”, which was released last month. The Japanese pop idol group Morning Musume. or their sister groups have been mentioned here many times before. I am a huge fan of the group, and this year marks my 14th anniversary of being a fan of Morning Musume. and their umbrella group, Hello! Project.

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Reporting Live: Yufu Terushima Brings a Nonchalant Vibe to Nagoya with “Watashi ga Chiru”

Whenever I hear the name “BiS”, I think of these words and phrases: punk, rock, rebellious, and in-your-face. So when I stumbled across an announcement about an in-store event with former BiS member Yufu Terashima, I wondered if it would be a thirty-minute concert of punk rock music. But the realization was the exact opposite when the singer sang the opening lines to her first song.

Terashima — who prefers fans to call her “Yuffy” due to the complexity of her first name — always dreamed of being an idol. The singer yearned after Morning Musume. when growing up, and she was a “live idol” — an idol who performs at primarily live events —when she went to Waseda University. Yet, she wanted more: she wanted to be a full-time idol.

Yuffy’s dream came true when she joined the pop-rock idol group BiS in 2011. But, it was short-lived as the group disbanded two years later. This lead the way for the idol to start a solo career. She made her indies debut in 2014 with the single “#Yuufuraito”, then making her major debut with EMI Records a year later.

Japanese idols in today’s world seem to have either a concept or a color scheme going on; Morning Musume has a rainbow scheme, AKB48 has the whole “Idols You Can Meet” idea, and Yuffy has “Yurudol” — a blend of “Yuruchara” and “Idol”. Mascot characters from various cities, prefectures, and companies meet idols. Now, that is an interesting idea. Too bad I didn’t notice it when she came to Nagoya last week.

Instead, what I saw was a concept of a beautiful fairy-like princess decorated in pure white and baby blue, flowers adorning all over her. I felt guilty when I glanced at her while she was heading towards the stage. I was an older woman with stubborn acne sprinkled across my bare “no make-up” face, looking like I traveled to hell and back, wearing nothing too fancy while Yuffy was flawless. I felt guilty being underdressed and looking like a banshee. Oh well.

Yuffy started at 2 pm sharp, performing a set of songs featured on her latest album Kimi ga Chiru ”You Will Fall”. Her first song had technical difficulties as the sound technician kept playing the wrong song three times in a row. They fixed it soon after, letting her settle into the ambiance mood of the atmosphere and perform her mini-concert without further hitches.

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Listening to the songs featured on Kimi ga Chiru makes me feel ambivalent and nostalgic. The songs are something akin to late Showa/early Heisei idol music — which would be from 1985 to 1993 for those who are not familiar with the Japanese calendar. The chorus and the melody that introduces the song inflicts a nostalgic feeling. Also, Yuffy’s bright vocals and the nonchalant instrumentation brings a peaceful spirit to each track. It is refreshing in today’s musical scene to hear something like Kimi ga Chiru as EDM suffocates today’s music scene: heavy synthesized music that seems too generic.

Although my pre-live expectations of Yuffy being a punk rock idol were shot down while listening to her live, I did become a fan afterward. The songs on her latest album are serene, amusing, and likable. Not to mention that she is cute, a trait that I sometimes yearn for. I can’t wait for her next release to see what kind of music she will perform next. Will she keep that cute style? Or go another way? Only time will time.

You can listen to the title track from her newest album below:

#Throwback Thursday: Misato Watanabe Grasps on the Last Memories of a Past Love With “Moonlight Dance”

I wanted to write a weekly Throwback Thursday last week. But, April has been such a busy month for me as it is the start of the new school year. I will try to write two Throwbacks this week to compensate.

Misato Watanabe is a female vocalist hailing from Kyoto Prefecture. She made her debut in 1984 after winning the Best Vocalist Award at the 3rd Annual Miss Seventeen Contest. Watanabe didn’t make her appearance in the music industry at first. Instead, she began as a model for the magazine Seventeen. The Kyoto native went on to become a singer by releasing her debut single, entitled “I’m free”, a year later. It was with her fourth single, “My Revolution”, when she capitulated into stardom. Tetsuya Komuro composed the song, who has been a pivotal hitmaker for big-name artists like Namie Amuro, globe, TM Network, and others. Watanabe went on to enjoy releasing numerous hit singles and albums after her ground-breaking single.

Released in the late spring period of 1989, “Moonlight Dance” is the 13th single by Watanabe. It was also featured on the album Flower bed. This was the album that first introduced me to “Moonlight Dance”. But, it’s not the first time I have listened to her music. You see, I have been listening to Watanabe’s songs for about eleven years. The first album that I heard was ribbon. I downloaded it at first as I was curious about Misato Watanabe. I would, later on, buy a physical copy of the album along with other works as I wanted to listen to more by this vigorous vocalist.

However, the way how I collect and listen music has changed recently. A year ago, I subscribed to a plan of unlimited streaming on Spotify. There is a significant collection of music from all different genres, artists, label status (Indies or Major), and countries within Spotify’s library. I also enjoy the “My Daily Mix” playlists that mix songs I like with similar-sounding ones that I haven’t heard before. And, from one of those playlists is how I met “Moonlight Dance”.

The song is a dark, minor tune that details one woman sadly reminiscing the memories of a past love. She wonders where those good old days that were filled with the warm summer light, the fun activities, and the times where the two lovers spent together. This pain of reminiscence is carried evenly with each instrument part, with the guitar part being the most prominent representation. A prime example is where the guitarist, Nobuyuki Shimizu, plays a high-pitched distorted sub-melody during the pre-chorus (1:21). This screeching distortion would be critical in later Tetsuya Komuro tunes, especially nine years later with globe’s “wanna be a dreammaker”. The reason why this sound is prominent in these two songs is the fact that it may be the “being heartbroken” sound as the distorted guitar’s tone carries similar feelings; regret, sadness, anger, and brokenness.

Besides the guitar part, everything else is subdued, excluding Misato’s rich vocals. Even Tetsuya Komuro’s important synthesized notes aren’t heard much throughout the song, just little flutters of notes here and there. The primary focus is on the vocals and guitar. Though, the mood of “Moonlight Dance” reminds me of T.M Network’s “SEVEN DAYS WARS”, “Self Control”, and “Fighting (Kimi wa Fighting)”, except that “Moonlight Dance” is placed in a moodier minor key.

“Moonlight Dance” wasn’t a number one hit for Misato Watanabe. Nevertheless, it’s a decent song with Misato’s powerful vocals. It has grown into being one my favorites by the Kyoto native as I love minor pieces like this one as they convey raw, sorrowful, and powerful emotions. Also, the “old fashion love song for you” part is my favorite part of the song. I love it as it appears out of the blue.

Check out a live performance taped in 1989 below and tell me what you think.