Results: Battle of the Songs: Rock-n-Roll Girl Power!

This is very late because I had a stressful week at work where I would just come home and sleep. But, here is the results for the Battle of the Songs: Rock-n-Roll Girl Power!

click here to see the results
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Battle of the Songs: Rock-n-Roll Girl Power!

My, my, my! 2019 is blazing by too quickly! I can’t believe that spring will be here in less than three weeks!

According to the National Days calendar, tomorrow is Hinamatsuri (or Doll’s Day here in Japan, click to read more about this special day) and March 8 is International Woman’s Day. March is also Woman History Month. So to pay tribute to these special occasions, it’s an all-female band battle in this edition of Battle of the Songs.

Click to Listen and Vote!

Battle of the Songs: Throwing the Musical Beans

It’s February 3rd! Another round of the Battle of the Songs. This battle is a treat as we feature two artists from a country that celebrates a special day today that involves bean throwing.

Who will win this time? Click below, listen to each song, and vote for your favorite! But be warned:

Watch Out For the Flying Beans

#Throwback Thursday: Misato Watanabe Grasps on the Last Memories of a Past Love With “Moonlight Dance”

I wanted to write a weekly Throwback Thursday last week. But, April has been such a busy month for me as it is the start of the new school year. I will try to write two Throwbacks this week to compensate.

Misato Watanabe is a female vocalist hailing from Kyoto Prefecture. She made her debut in 1984 after winning the Best Vocalist Award at the 3rd Annual Miss Seventeen Contest. Watanabe didn’t make her appearance in the music industry at first. Instead, she began as a model for the magazine Seventeen. The Kyoto native went on to become a singer by releasing her debut single, entitled “I’m free”, a year later. It was with her fourth single, “My Revolution”, when she capitulated into stardom. Tetsuya Komuro composed the song, who has been a pivotal hitmaker for big-name artists like Namie Amuro, globe, TM Network, and others. Watanabe went on to enjoy releasing numerous hit singles and albums after her ground-breaking single.

Released in the late spring period of 1989, “Moonlight Dance” is the 13th single by Watanabe. It was also featured on the album Flower bed. This was the album that first introduced me to “Moonlight Dance”. But, it’s not the first time I have listened to her music. You see, I have been listening to Watanabe’s songs for about eleven years. The first album that I heard was ribbon. I downloaded it at first as I was curious about Misato Watanabe. I would, later on, buy a physical copy of the album along with other works as I wanted to listen to more by this vigorous vocalist.

However, the way how I collect and listen music has changed recently. A year ago, I subscribed to a plan of unlimited streaming on Spotify. There is a significant collection of music from all different genres, artists, label status (Indies or Major), and countries within Spotify’s library. I also enjoy the “My Daily Mix” playlists that mix songs I like with similar-sounding ones that I haven’t heard before. And, from one of those playlists is how I met “Moonlight Dance”.

The song is a dark, minor tune that details one woman sadly reminiscing the memories of a past love. She wonders where those good old days that were filled with the warm summer light, the fun activities, and the times where the two lovers spent together. This pain of reminiscence is carried evenly with each instrument part, with the guitar part being the most prominent representation. A prime example is where the guitarist, Nobuyuki Shimizu, plays a high-pitched distorted sub-melody during the pre-chorus (1:21). This screeching distortion would be critical in later Tetsuya Komuro tunes, especially nine years later with globe’s “wanna be a dreammaker”. The reason why this sound is prominent in these two songs is the fact that it may be the “being heartbroken” sound as the distorted guitar’s tone carries similar feelings; regret, sadness, anger, and brokenness.

Besides the guitar part, everything else is subdued, excluding Misato’s rich vocals. Even Tetsuya Komuro’s important synthesized notes aren’t heard much throughout the song, just little flutters of notes here and there. The primary focus is on the vocals and guitar. Though, the mood of “Moonlight Dance” reminds me of T.M Network’s “SEVEN DAYS WARS”, “Self Control”, and “Fighting (Kimi wa Fighting)”, except that “Moonlight Dance” is placed in a moodier minor key.

“Moonlight Dance” wasn’t a number one hit for Misato Watanabe. Nevertheless, it’s a decent song with Misato’s powerful vocals. It has grown into being one my favorites by the Kyoto native as I love minor pieces like this one as they convey raw, sorrowful, and powerful emotions. Also, the “old fashion love song for you” part is my favorite part of the song. I love it as it appears out of the blue.

Check out a live performance taped in 1989 below and tell me what you think.

The Mid-Year Review (2016 Version)

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It has been half a year! Time has mostly definitely flown by! I am sorry that this blog wasn’t as active like last year. Work has been extremely busy since the beginning of the school year (aka April) where I would just come home, cook dinner, take a shower, and go to bed extra early.  I also worked six days a week. I felt like I was working too much and not getting the necessary sleep I needed.

But! Everything has changed as I now work 5 days a week. I also have ample time to sleep and relax on a new bed. That’s right, a new bed! I was sleeping Japanese style for the past year with a bunch of futons and mattress piled on a hard wooden floor. But now I have an actual bed, I am able to sleep more peacefully now.

Enough of talking about the love of my life, I mean, my bed and my life. Let’s talk about music! Here are the top 5 most popular blog entries from January to July 2016!


5. Reporting Live: Sakura Cinderella near Nagoya Station (August 8,2015)  (Written on January 12, 2016)

Sakura Cinderella is another “local idol” group here in Nagoya. Unlike Idol Kyoshitsu who performs in another company’s sushi restaurant,  these girls perform in their own cafe near Nagoya Station. Formed in 2014, this AKB48 copycat group performs in their cafe every day and does street lives all over the city. Named after one of the main streets “Sakura Street”, Sakura Cinderella’s catchphrase is “Tidy and pretty true idols”.

Read more here.

4. Get ready for the Olympics with Kobushi Factory (Written on July 17, 2016)

It is less than three weeks to the 2016 Summer Olympics that will be held in Rio de Janeiro. But, everyone is preparing for the major event of the year by releasing merchandise, airing the pre-game qualifiers on TV, talking about it on every morning show, and incorporating themes of the games and Rio de Janeiro in film and music.  This is no exception to Hello! Project, who has started a trend of providing Olympic-themed songs in the last five years.

Read more here.

3. My Thoughts on Eurovision (Written on May 15, 2016)

Eurovision 2016 has already come and go. There were really exceptional acts, good acts, and worst ones. As there were 26 performers for the four hours final, it will take me a while to get through all the acts. So, if I can remind myself to do it, there will be a part two next week to cover the other performances.

Read More Here.

2. Boogie Woogie Into Saturday Night with Morning Musume (Written on May 22, 2016)

One of my all-time favorite Japanese pop girl group just released their 61st single! Yes, you read it right, 61st! Although, I did talk about their 60thabout six months ago. Nevertheless. Morning Musume always impresses their fans with the ability to successfully reinvent themselves for the past 18 years.

Now, the 61st is a Triple A single, with the songs being ‘Tokyo to Iu Katsumi”, “The Vision”, and “Utakata Saturday Night”. I won’t be talking about all three songs as that could be a huge essay that could bore you and that I wasn’t really digging two of the songs from the single.

Read more here.

1. Celebrating Canada Day with Don’t Wanna Fall in Love by Jane Child (Written on July 5, 2015)

Over the past twenty or so years. many Canadian artists have been featured and became immensely popular all over the world. Barenaked Ladies, musical goddess Celine Dion, rock-pop princess Avril Lavigne, “boy wonder” Justin Bieber (which you should check out his new single with Skrillex), and others. But, none were more eccentric or skillful at playing the keyboards than today’s featured artist.

Read more here.

A Hip Take on a Timeless R&B Classic: “Whatcha Gonna Do With My Lovin'”

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As I travel deeper and deeper into the heart of my fanfiction for NaNoWriMo, it’s time to take a breather. During the endless marathons of typing away at plot changes and character developments, I have been listening to a ton of music on my music player, on video sites like Youtube, and from a couple of blogs. This post is inspired by one of my favorite blogs on WordPress, Mixed Tape Masterpiece. It’s a really neat site that features songs and radio snippets that were recorded on cassette about twenty years ago before the age of high-speed internet and iTunes. Please check it out if you have a chance!

At the beginning of the 1990s, it seemed like music was changing constantly.  New genres were added to Billboard’s Top 40 charts as previous established ones expanded their definitions. One group that dared to challenge musical genres in 1989 and helped throw “Detroit House” and “Detroit Techno” into the public’s eye was Inner City.

Inner City formed around the Detroit area in 1987 by accident. Kevin Saunderson, credited as a co-founder of techno and a member of the group Bellevue Three, was composing music with James Pennington one day at Pennington’s studio. One of the successes from this jam session was the creation of Inner City’s iconic “Big Fun“, which Saunderson described it as a song with “a chord, sampled, one note, spread through the keyboards and replayed, mixed down with a pad and a few other sounds”.[1] The duo continued to work on the song over the weeks, adding percussion done by Terry ‘Housemaster’ Baldwin and a keyboard solo by Art Forest. However, the song was missing something momentous.

James Pennington suggested Chicago-native Paris Grey to be the tune’s lead singer. Saunderson sent the track to Paris, who had the task to write the vocal melody and lyrics for song. She completed the job in one month and sang the finishing product to the producers, who fell in love with her voice and the song even more. That was when Inner City was born.

Over the span of the band’s initial run, they added two more members (including Saunderson’s wife Anne), released five albums, and a handful of singles. Their debut album, “Paradise” (renamed “Big Fun” in the United States), was a hit in UK where it reached number three on the charts. As Inner City rode on their moderate success, singer Paris Grey wanted to take a step back to raise her daughter around the mid-90s. The group took a pause after the release of “Do Me Right” in 1996, enabling Paris to take a break and Saunderson to go on to do more projects.

However, the group never really broke up as they gotten back together many times since their hiatus. They released two singles in 1999 and 2000. And another two in 2011 and 2014 with an updated techno sound.

As I continue to type countless words for my novel, I cannot stop listening to the Kevin McCord Club Mix of Inner City’s 1989 single ‘Whatcha Gonna Do With My Lovin'”. A cover of the 1979 Stephanie Mills’ song, Inner City updated it by adding jazz, a hint of R&B, and 80s’ house. The song captures anyone’s attention at the beginning when Paris starts off by singing the title with a blaring saxophone bit following it. I absolutely love how this horn instrument is used throughout the song, especially at the 6:08 mark. This particular instrument helps to paint a jazzy scenario with the disco-styled piano solos thanks to the Roland TR-909 (listen for an imperfect authentic cadence at around the 4:50 mark), the bluesy percussion beats, and the tone of the background vocals. But, listeners are reminded that this is still a (then) modern-day house and R&B song thanks to the funky bass synthesizer that serves as the backbone of the song.

Speaking of vocals, can we take a minute to talk about how amazing Paris Grey vocals are. Saunderson was right in a recent interview about how Grey’s vocals are “their own instrument”.  Her voice is warm, deep, and rich as she brings out each low note with a slight hold. She ends each line with style that embodies the texture of velvet, rich and silky, that leaves the listeners wanting more.  It doesn’t end at the chorus as she continues to sing in a soulful tone.

The Kevin McCord Club Mix of  “Whatcha Gonna Do With My Lovin'” is a tasteful mix of past and current musical genres. The tune is a spectacular blend of disco, R&B, soul, blues, jazz, and others. Anyone who is a fan of any type of musical genre will enjoy this musical gem.

If you enjoy to take things slow, you should listen to the original version. I find it too slow for my taste but still amazing.


References

[1] Saunderson, Kevin. “Kevin Saunderson, Inner City and the inside Story of ‘Big Fun’.” FACT Magazine Music News New Music. FACT Magazine, 2 Sept. 2014. Web. 7 Nov. 2015. (http://www.factmag.com/2014/09/02/kevin-saunderson-inner-city-and-the-inside-story-of-big-fun/)

The Shocking Tunes of the Season: Bobby Brown’s “On Our Own”

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What do Donald Trump and Bobby Brown have in common?

No, no! It doesn’t have to do with Trump running for United States President next year. Think waaaaaaaay back, about twenty-six years ago. Still don’t know the answer?

Welllllllllllll…. Ghostbusters, of course!

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“Gasp!”

“On Our Own” was a Babyface and LA Reid produced song, sung by Bobby Brown, that served as the theme for the film Ghostbusters II. Nothing like the original theme song by Ray Parker Jr., “On Our Own” still captures the original theme’s concept of a lively dance beat that features lyrics about a team.

As much as “Ghostbusters” is a loveable classic, I really enjoy listening to “On Our Own” because I am huge sucker for new jack swing, 80s’ R&B, and anything by Babyface. I think what I like best from this song is Babyface’s smooth and sultry backing vocals, Bobby’s “on the edge” rapping skills, and the song’s flow. What else is great is how the producers combined the jolting synthesizers bits from the electronica genre with the bass line that is akin to funk music. Finally,I like the pre-chorus that involves an interesting sub-melody by a classical piano with a guest solo appearance from that funky bass line.

The music video presented a pretty cool concept. It features numerous scenes around New York City that highlights Bobby Brown, the back-up dancers, and various scenes from Ghostbusters II on buildings, billboards, and so on. While the music video does have various celebrities taking notice to the “photo-shopped” videos, it also featuring everyday New Yorkers just strolling by, enamored to the movie clips that are somehow playing on these buildings. Of course, the delightful appearance of Rick Moranis is always a treat!

So if you feel like rapping these lines “So they packed up their group, got a grip, came equipped, grabbed they Proton packs off their back and they split”, check the video below.