Reporting Live: Yufu Terushima Brings a Nonchalant Vibe to Nagoya with “Watashi ga Chiru”

Whenever I hear the name “BiS”, I think of these words and phrases: punk, rock, rebellious, and in-your-face. So when I stumbled across an announcement about an in-store event with former BiS member Yufu Terashima, I wondered if it would be a thirty-minute concert of punk rock music. But the realization was the exact opposite when the singer sang the opening lines to her first song.

Terashima — who prefers fans to call her “Yuffy” due to the complexity of her first name — always dreamed of being an idol. The singer yearned after Morning Musume. when growing up, and she was a “live idol” — an idol who performs at primarily live events —when she went to Waseda University. Yet, she wanted more: she wanted to be a full-time idol.

Yuffy’s dream came true when she joined the pop-rock idol group BiS in 2011. But, it was short-lived as the group disbanded two years later. This lead the way for the idol to start a solo career. She made her indies debut in 2014 with the single “#Yuufuraito”, then making her major debut with EMI Records a year later.

Japanese idols in today’s world seem to have either a concept or a color scheme going on; Morning Musume has a rainbow scheme, AKB48 has the whole “Idols You Can Meet” idea, and Yuffy has “Yurudol” — a blend of “Yuruchara” and “Idol”. Mascot characters from various cities, prefectures, and companies meet idols. Now, that is an interesting idea. Too bad I didn’t notice it when she came to Nagoya last week.

Instead, what I saw was a concept of a beautiful fairy-like princess decorated in pure white and baby blue, flowers adorning all over her. I felt guilty when I glanced at her while she was heading towards the stage. I was an older woman with stubborn acne sprinkled across my bare “no make-up” face, looking like I traveled to hell and back, wearing nothing too fancy while Yuffy was flawless. I felt guilty being underdressed and looking like a banshee. Oh well.

Yuffy started at 2 pm sharp, performing a set of songs featured on her latest album Kimi ga Chiru ”You Will Fall”. Her first song had technical difficulties as the sound technician kept playing the wrong song three times in a row. They fixed it soon after, letting her settle into the ambiance mood of the atmosphere and perform her mini-concert without further hitches.

yufutershima-20180428

Listening to the songs featured on Kimi ga Chiru makes me feel ambivalent and nostalgic. The songs are something akin to late Showa/early Heisei idol music — which would be from 1985 to 1993 for those who are not familiar with the Japanese calendar. The chorus and the melody that introduces the song inflicts a nostalgic feeling. Also, Yuffy’s bright vocals and the nonchalant instrumentation brings a peaceful spirit to each track. It is refreshing in today’s musical scene to hear something like Kimi ga Chiru as EDM suffocates today’s music scene: heavy synthesized music that seems too generic.

Although my pre-live expectations of Yuffy being a punk rock idol were shot down while listening to her live, I did become a fan afterward. The songs on her latest album are serene, amusing, and likable. Not to mention that she is cute, a trait that I sometimes yearn for. I can’t wait for her next release to see what kind of music she will perform next. Will she keep that cute style? Or go another way? Only time will time.

You can listen to the title track from her newest album below:

Advertisements

Alexander Rybak Teaches How to Be a Songwriter in This Upbeat Piece [Eurovision 2018]

Eurovision 2018 has a handful of excellent tunes. I have said before that Netta’s “Toy” and Mikolas Josef’s “Lie to Me” are a few of my favorites. Let me introduce my third favorite from this year’s batch: Alexander Rybak’s That’s How You Write a Song from Norway.

Rybak is no stranger to the Eurovision competition circuit. He participated in the contest in 2009 with the song “Fairytale“: a sad yet uptempo folk-pop tune written by Rybak himself. He found inspiration from a past relationship and the Scandinavian folklore of Huldra. The song won the top prize at the 2009 Eurovision Contest. He released his successful debut album afterward. Rybak continued to have a fruitful career by releasing new material and taking part in many TV shows.

Many have speculated on why an earlier Eurovision winner would enter the contest one more time. What are his reasons? Does he want to prove something? Whether we know the singer’s actual intention of competing once more or not, you have to admit that “That’s How You Write a Song” is very catchy. It opens with a memorable funky bass line and a bouncy drum beat, then comes to a cool violin riff that serves as the primary melody. That violin makes the song bouncy and feeling good. And the instrument shines around 2:26 mark when it performs a passionate solo.

Speaking of “feeling good”, the lyrics radiate a positive vibe too. The song’s message could be interpreted as a simple discussion on how to write a tune. But if one looks deeper into the lyrics, one can see that the messages of “believing in yourself”, “being creative is easier than one thinks”, and “don’t fear in being creative, embrace and enjoy it” are present – these are valuable to anyone.

It is unknown if this year’s Eurovision will give Alexander Rybak his second win; especially that the current fan favorite is Netta. Things could change from now to the live performances. But the important thing is “That’s How You Write a Song” is an enjoyable, upbeat song that sends positive vibes with its lyrics and melody. Plus, don’t you think the music video is too cute? Check it out below and tell me what you think.

ATSUSHI from EXILE Covers a Recent Classic With Sincere Effort

This spring has brought out a handful of new releases as well as different takes on older hits. One such example is ATSUSHI (from EXILE)’s take on Bruno Mars’ debut song “The Way You Are”.

ATSUSHI is one of the current leading vocalists in the megahit boy group EXILE here in Japan. He got his start in 2001 when Hiro, a veteran performer who rose to fame in the early 1990s as a member of ZOO, asked him to join the newly formed group named J Soul Brothers. HIRO’s invitation came after seeing ATSUSHI’s audition on the legendary audition show ASAYAN. J Soul Brothers would later be renamed as EXILE with ATSUSHI penning lyrics for a lot of their hit tunes. Heard of “EXILE PRIDE (Konna Sekai wo Ai Suru Tame)”? “Rising Sun”? How about “Yasashii Hikari”? Yeah, those are a few of the many songs he wrote lyrics for.

The vocalist later went on to release his debut single in 2011, entitled “Itsuka Kitto…”. Being a vocalist AND a songwriter wasn’t enough for ATSUSHI. He also created groups like Deep, first as a member then as the producer. He later formed Red Diamond Dogs, which serves as his backing band whenever he goes on tour. In 2017, he announced that his activities in EXILE would  so he could focus more on international activities

That is where we come full circle with his latest release. Of course, he isn’t the only one in the EXILE tribe to be releasing covers of famous Western hits. GENERATIONS (from Exile Tribe) released a Best-Of album early this year that contained best hits (in two languages: Japanese and English) and covers, which one was the Jackson Sisters’ “I Believe in Miracles”

The covers that were performed by GENERATIONS and ATSUSHI have a similar issue: the lack of energy. I dislike the GENERATIONS’ cover of “I Believe in Miracles” and the reason why is that it sounds so boring. It’s like the main singer didn’t put enough soul. And instead, sounding like he was asleep when recording the song. That is the same for ATSUSHI’s cover of “The Way You Are”. Don’t get me wrong, ATSUSHI is a talented vocalist as well as a musician. But, this cover sounds so lackluster and boring. Like, there is no energy in the vocals, no feelings nor soul.

I appreciate ATSUSHI’s sincere efforts in trying to cover a Bruno Mars’ song. Furthermore, even to go as far to penning the Japanese lyrics himself. There are no snags with his translation of the songs. And, his approach of trying to convey the original message in his native language is pretty sincere. There is also no problem with his musicality or his skills. But, if he had to record this song over again, I would suggest that ATSUSHI put more soul/heart and feelings into the vocals (and more of what makes him, vocals and musicianship). Bring some “oomph” and life to the song while making it your own.

Here is the music video for the original version by Bruno Mars:

Mikolas Josef Gets the Audience Pumped Up for Eurovision with “Lie to Me”

lietome-single

We have a month left until the “Superbowl” of the European music scene happens: Eurovision. There has been a plenitude of great entries this year, including from the Czech Republic.

Mikolas Josef is an up-and-coming artist from the Czech Republic’s capital, Prague, who made his musical debut in 2015. He first performed as a street performer in various European cities like Oslo, Hamburg, and Vienna. He released his debut single, “Hands Bloody”, in the same year by himself. Although it didn’t chart on local charts, his second single, entitled ” Free”, did. It reached #15 on the Czech music charts. He hasn’t released any albums yet as he is primary releasing singles at the moment (His Eurovision single is the fourth in his discography).

“Lie to Me”, in my own opinion, is a luxurious piece that can catch anyone’s attention at the very second it starts. The song begins with a sassy, fiery trumpet solo. Then, after the introduction, Josef crones the opening verse with a smooth tone. However, Josef showcases a variety of sounds during the song. My favorite part is at the 00:33 mark when he sings in a low, seductive tone.

This tune reminds me a tiny bit of Austin Mahone’s “Dirty Work”. Maybe because the vocal tones between the two singers are very similar. Nothing else though, as “Dirty Work” is more EDM while “Lie to Me” is less electronica.

I have admitted before that I have a soft spot for Czech entries as my mom’s side of the family came from the Eastern European country. However, this is not the case. I repeat: this is the not the case. “Lie to Me” is an excellent song that is sooooooo catchy as well as scorching hot.

 

And We Are Off With Netta’s Unique Vocal Creativity [Eurovision 2018]

And we are off!

We are about two months away to the most prominent music competition of the year, Eurovision! It is always interesting to hear what kind of songs that the various artists perform every year. It looks like 2018 isn’t a disappointment with fantastic talent like Netta!

Released this Sunday, “Toy” is an interesting piece. It starts off with Netta using various sounds to compose the starting melody. Then she uses a peculiar sound: the bawk of the chickens. Yet, that “oddity” makes “Toy” catchy and memorable.

It’s not only the scatting that makes this song memorable. Netta’s own vocals and her personality shine through. My favorite part of the song has to be around the 2:25 mark when Netta belts out soulfully. Also, the lyrics are very significant as relate to the #MeToo campaign and also mentions Wonder Woman, a character that was portrayed by Israeli actress Gal Galdot last year.

Netta’s song is fun, catchy, and unforgettable. It is definitely one of the stars of this year’s Eurovision. Although it isn’t my number one (I will reveal that in due time, I promise), “Toy” is a funky piece that I enjoy quite a bit. My favorite part is the chorus part. Also, the musical interlude that connects the first part with the second part. Even if Netta doesn’t win Eurovision this year, I hope she continues on making music as she is very talented and creative.
 

Sade’s “Flower Of The Universe”

2018 is shaping up to be a fantastic year of brilliant movies. “Black Panther”, “A Wrinkle in Time”, “Konya, Romansu Gekijo de”, and “Bohemian Rhapsody” are just a few of this year’s cinematic gems that have been released or expected to be released. And with great movies come excellent soundtracks. Perhaps, the soundtrack for “A Wrinkle in Time” might be a masterpiece this year. All thanks to Sade’s “Flower Of The Universe”.

An article from the National Public Radio segment “All Songs Considered” recently popped on my Facebook timeline in which the author described Sade’s newest piece as “stunning”.  I would have to agree with the author’s single word review. The song is stunning but also breathtaking, eloquent, and bare.

The underlying motif of “Flower Of The Universe” starts off the song with Sade’s humming a rich, warm-sounding melody. Sade’s vocals are the main instruments in this piece as they control the mood, action, and climax. She is only supported by an acoustic guitar and piano. Yet, that doesn’t make the song sound boring at all. Sade’s unique voice attracts the audience’s attention and quenches their desires to listen to the end.
The first time I listened to this song was on my way back from a class on a warm evening here in Nagoya. Words cannot describe how beautiful, soothing, and pleasant having the two elements combined. It was awe-inspiring. Maybe I am into the music a little too much. However, it would be a great track to listen to during your evening commute, waking up in the morning, or even now.
“Flower Of The Universe” is a beautiful, breath-taking piece that shows its beauty through Sade’s vocal and bareness. Give it a listen and tell me what you think.