The weather here in Japan is still on a roller coaster. The days are either sweltering hot, cold with rain, windy, or sunny. Recently, the weather has been delightful. This fantastic weather means I can enjoy the pleasant spring air while listening to exhilarating pieces like today’s selection.
Sahara has two meanings in the dictionary: (a) a desert in North Africa that extends from the Atlantic to the Nile valley and (b) any arid waste. The Rippingtons’ “Sahara” doesn’t feel like a tune that fits the description of parched, barren land. Instead, it’s the exact opposite as “Sahara” is a refreshing piece that lets you indulge in the delightful weather of April.
The song starts off mellowly with Russ Freeman strumming an acoustic guitar riff that takes the lead. The bass supplies the supporting notes here and there. Meanwhile, Tony Morales and Steve Reid perform drums (mostly hi-hat) and percussion (primarily maracas and maybe a wooden block). The real action comes at the chorus. It starts off with a trombone prelude. Then, the piece suddenly changes moods as it’s loud and lively compared to the mellow verses. The chorus is exhilarating as the saxophone, performed by Jeff Kashiwa, quenches the need for an explosive climax. It also entices the listener with its sultry melody. The finale comes after a few more exchanges between verses and chorus. Instruments continue as they fade into silence. This way of ending the song makes the listener wonder what would happen if the piece carried on.
I can’t find much information on how and why this song was written in the way it was. I would call this piece more of an oasis in the desert. It relaxes, allures, and quenches the listener’s musical soul. A true exhilarating tune for spring.