Blast From the Past: Misfits of Sciences

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Happy April, Readers! Hope that the weather is getting warmer where you are at! Indeed, it has been beautiful here in central Japan. I been passing the time by enjoying the spring weather, watching cherry blossoms spring to life beside my apartment’s window, writing, and also watching obscure 80s’ American TV shows like The Charmings, Starman, Out of This World, and others.  (All thanks to Wikipedia and Youtube!)

I have never really heard of Misfits of Science before I stumble on a Youtube video that showcased theme songs from “bizarre” 80s’ shows. Since I was born three years after the show’s premiere., all I know about the show is that: Courtney Cox starred in it, who would later star in the 90s’ staple TV show Friends, a charming Dean Paul Martin, and it sort-of piggybacks on the success of Ghostbusters as both share a mutual theme of “weird science” You could also say that “Misfits” is the distant cousin of Fantastic Four or even X-Men when you think about “beings” having strange superpowers.

For those who don’t remember this lost 80s’ show, “Misfit” premiered in the fall of 1985 on NBC. It only ran for sixteen episodes as it was canceled due to low ratings. It wasn’t the show’s fault though; it was competing against the mega-successful, ratings dominant Dallas during the same time slot.

Why am I writing about a TV show on a music blog? Am I forgetting my bearings? Let me talk about the theme song because sometimes the songs themselves are worthy to talk about.

The theme song for Misfits of Science was composed by Basil Poledouris, a Greek-American composer who created music for various TV shows and movies like Conan the Barbarian, RoboCop, and Free Willy. He also wrote music for the 1996 Atlanta Olympic Games. Meanwhile, the theme’s performer is a singer-songwriter named Karen Lawrence. Since the 70s, Lawrence has been featured as the lead singer for L.A. Jets, 1994, Karen Lawrence and the Pinz, and Blue by Nature while singing back vocals for Aerosmith and Jeff Beck. She released her only album, entitled Rip and Tear, in 1986 under the label Revolver.

The theme song is entirely an HI-NRG rock tune. There are some spots where the song slows down, especially at the pre-chorus where the BPM clocks in the lower 200s, compared to the verses’ BPM of around 225. But, it isn’t solely about the BPM that defines its sound. You can hear it in the instrumentation. The composer used a combination of electric guitars, electronic keyboards, bell-like tones, a drum kit, and a synthesizer. I feel like this song could be in the minor key to give it an edgy sound, but I could be mistaken.

I think the aspect I love about this song is the upbeat tempo, the edginess, and the “weirdness” factor that goes between the pre-chorus and chorus. You can hear it between 3:24 – 3:28 where a dissonant chord resolves into a consonant one, maybe into a half-cadence. The “weird” key, rock structure works perfectly for the show as the theme is “weird science”. But, the chorus adds a nice touch to the song as it changes directions and tries to resolve the song’s rock, edgy tension with a positive and relaxed melody.

Lastly, I think Karen Lawrence’s vocals are a perfect fit for this as her tone has that edgy, hard-rock tone to it that brings a balance to the song.

It is a shame that Misfits of Science only lasted half a season as the theme song is splendid. I might be biased as others have labeled this show as “awful,” but I love this theme song.  It reflects a perfect combination of vocals and instrumentation in the vein of the edgy, HI-NRG hard rock that was found prominent in the mid-80s. You can listen below and tell me what you think! 😀

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A Critical Point in Miho Nakayama’s Music Career

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I am slowly processing all the CDs I got from an auction lot about two months ago. There are a lot of good and surprising finds, including an album from one of my favorite Japanese female singers Miho Nakayama!! 😀

For those who aren’t familiar with  Ms. Nakayama, let me fill you in. Nakayama didn’t initially start her entertainment career in music. In fact, she was a model for magazines and print ads during her junior high school years. It wasn’t until she switched agencies in 1984 or 1985 that she became an idol singer.

She released her first single, entitled “C”, during the summer of 1985. The single did really well, reaching #12 on the weekly Oricon charts and sold over 170,000 copies. Nakayama nabbed the Rookie of the Year Award at the Japan Record Awards due to the successful start. However, her first #1 didn’t come until two years later with the release of the upbeat dance tune “CATCH ME” (which I looooooooooooove because Toshiki Kadomatsu, whom I adore a lot, wrote it).

Nakayama continued her music career throughout the late 80s and 90s. She worked with significant musicians in the industry like Mariya Takeuchi, Tetsuya Komuro, Toshiki Kadomatsu, and ANRI. She also went overseas to record material in places like Los Angeles and France.

Nakayama took a break from singing at the turn of the new century. She then went on to marry Tsuji Hitonari in 2002 (whom she would later divorce twelve years later) and put her entertainment career on hold to move to Paris with her husband. As of August 2016, she is still living in Paris and helping her ex-husband to raise her only son.

Miho Nakayama has always found new ways to reinvent her music career. Starting off with the innocent idol kayokyoku of the 80s, Nakayama bounced in and out of various musical genres like dance, latin, electronica, blues, and AOR. She constantly modified her sound every two years as the market and her fan’s tastes were continually shifting. Wondering what her fans wanted next, she decided in 1992 to go to Los Angeles and recorded the album Wagamama na Actress.

“Gakeppuchi” (崖っぷち; critical point) is a bold number that opens the album. The song attracts listeners with its boisterous and upbeat feeling. It opens with a bluesy organ solo followed by a dynamic horns section. The piece includes a wicked 90s’ style guitar solo during the break. This style reminds me of Amy Grant’s 1991 album Heart in Motion, something like “Every Heartbeat” and “Hats”. It also sounds like Peter Cetera’s 1988 album One More Story. Maybe I am just crazy. Do you hear the similarities too?

The only issue I have with this tune is that the instrumentation is a bit overpowering. Miho Nakayama has always been a good singer. However, she always had a soft voice that fits perfectly with her songs “Mermaid”, “Rose Color”, “Tada Nakitaku Naru no”, and “You’re My Only Shinin’ Star”. Those songs are pretty quiet with the instruments kept to a minimal.

I also noticed that Miho Nakayama struggles vocally with bluesy music quite often. SThe singer struggles a bit on “Gakeppuchi”. She also has problems on the poorly arranged “Sea Paradise -OL no Hanran-“. Albeit, it isn’t my favorite Miho Nakayama tune as the arrangement is so messy. It does point out that Nakayama has a weakness at very fast and loud songs. Maybe the producers should have scaled back a bit on both songs.

Overall, “Gakeppuchi” isn’t a terrible song if you ignore its flaws. I love it because the song has an upbeat tempo with an awesome 90s vibe to it.  I also loooooooove early 90’s AOR songs like this one.

If you are a fan of early 90’s Chicago, Amy Grant’s Heart in Motion era, or and Peter Cetera’s One More Story era, then this song is for you!

You can listen to the song here on Ket nool.