Hark Back to the Vibrant Fantasy World of the 80s with “Loved By the Sun”

Do you have a soundtrack or two that you have fallen in love with? Perhaps so much that you have replayed it over and over over a long period? That is the case with Tangerine Dream’s “Legend” soundtrack, my new beloved earworm.

I have seen the 80s’ fantasy movie “Legend” only once or twice. The version I have seen was the Director’s Cut, which features Jerry Goldsmith’s orchestral works. The movie had two soundtracks: the European release had Goldsmith’s orchestral score, and the American release contained an electronic, pop-sounding score composed by German band Tangerine Dream. The reason for the change was that test audiences didn’t enjoy Jerry Goldsmith’s score.

One track from Tangerine Dream’s soundtrack, “Unicorn Dream”, was transformed into a love ballad for the US version’s ending. “Loved by the Sun” resulted from this transformation with the song being performed by rock band Yes’s frontman Jon Anderson. He also wrote the lyrics.

“Loved by the Sun” starts off with a quiet duet between an electric guitar and a synthesizer with two functions: starry sounds and synthesized deep bass. The duet continues on while Anderson begins the first verse softly. He continues to sing as the instruments build up the song’s emotion with an increase in volume. Some drums, a choir, and the trumpet function from the synthesizer are added in. This build up spills out in full energy at the final chorus with every instrument and voice’s volume raised to heighten the passionate message in the lyrics: “that legends teach us to love for goodness’ sake.”

My favorite part comes at the end, around the 4:15 mark, when the key changes from major to minor. The change begins when Anderson’s sings his note; a note that doesn’t resolve the phrase into a final cadence but instead slipping into the relative minor key. The song stays in the minor key till the end, as it fades into the instrumental piece “Blue Room”, which is another minor tune.

“Loved by the Sun” is a quiet piece. It doesn’t feature many instruments; only the synthesizer and electric guitar serve as the primary players. But, as Leonardo da Vinci said, “Simplicity is the ultimate sophistication.” Or, in layman terms, simplicity is beautiful. The song serves its purpose well: a gorgeous yet simple love song to support the movie’s romantic happy ending.

Here is the US version’s ending with the song playing along:

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Elton John “Wraps Her Up” with George Michael

eltonjohn-wrapherup

Happy New Years everyone! We finally made it to 2017! 2016 seemed like a long year as we had a series of unfortunate events: Trump being elected as President, the end of SMAP, Brexit, and many celebrities passing on. One of these beloved stars that we lost in 2016 was George Michael.

Many remember Micheal for his catchy tunes during his days in Wham! or his ironic, musical statements during the late 80s and early 90s as a solo artist. But today, I want to talk about the amazing work he did behind the scenes, being a backup singer for many of our favorite artists during the 80s and beyond.

One amazing piece that featured George Michael was Elton John’s 1985 song “Wrap Her Up”. This song was sort of popular in the US. But, more so over in the UK, reaching #20 on the UK Charts. It has since fallen out of obscurity over the years. I actually found out about this song two days before Michael’s death when I  was recovering from eye surgery. I couldn’t do anything but listen to Sirius XM 80’s on 8 and their weekly Top 40 Countdown, which featured “Wrap Her Up”.

According to Wikipedia and Sirius XM 80s on 8’s Top 40 Countdown that aired last week, George Michael was quoted in a magazine that the song made him sound like he “had my [his] willy in a garotte”.[1] Now I don’t know if Michael was really impressed with the vocals he provided for the song or not. But, in my opinion, they aren’t THAT bad. The call and response between Michael and Elton John are really well executed as the two singers’ diverse approaches really compliments the song.

Now I know this is a pop-rock song. However, I swear the bass is playing a funk-like rhythm. I also swear that you could hear the same bass melody in a Go West song. Anyways, the song is pretty basic if you take away the bass and the vocals. The only other instrumentation is the strong horns section, which has a really great solo section before the lackluster guitar break.

“Wrap Her Up” isn’t a memorable song like “Last Christmas” or any other songs in Elton John’s or George Michael’s discographies. However, it does have some good points and it’s worth a listen.