Come Back to Asia in the 1980s

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Ahh, the weekend! The time when I can listen to all the music I want because at work, I am not allowed to listen to anything, including my iPod with earphones. I am in heaven! It is during the weekend that I get addicted to a song or more, listening to it over and over till whenever I get tired of the song or I go to bed. Today’s new obsession is a song from the Jpop-rock band TM Network.

TM Network is a well-known band in Japan that has been around for about 30 years. The band was formed in 1983 when the band that Tetsuya Komuro, Naoto Kine, and Takashi Utsunomiya were in, Speedway, split up. The guys came together and entered their new band, TM NETWORK, in a YAMAHA contest, performing the song “1974”. The band received perfect scores from the judges and won the grand prize, which caught the attention of Epic Records who offered the band a contract right away. TM Network made their debut in the spring of 1984 with the single “Kinyoubi no Lion (Take it to the Lucky)” and album “RAINBOW RAINBOW”.

Over the years, TM Network has made a lot of genre changes. On various information sites like Wikipedia and etc, the band is listed as a pop-rock band with the pop side being more relevantly in their music. The band’s first couple of singles featured a sound that was akin to the Yellow Magic Orchestra’s technopop bliss, prominently “”Kinyoubi no Lion (Take it to the Lucky)” and “1974”. Over the years, they got their toes wet by dipping into new genres like R&B, funk, trance, techno, latin, hard rock (thanks to B’z guitarist Tak Matsumoto), ballad rock, eurobeat, dance, and etc. Most recently, the band has been riding the electriopop wave, especially since Komuro is a lover of current dance trends (he has been on this “dance music” craze since 90s though, see all the stuff he has composed during that time).

“Come Back to Asia” doesn’t offer the eccentric sounds of rock or technopop, just the normal pop one. Actually, there is a lot of Asian influences within the song. It starts off with the keyboards producing a melody that resembles an Asian motif with the rhythm and/or melodic structure. I think the Asian motif is best represented in the synthesized keyboards, as the instrument emulates a sound like the sitar or guzheng in the chorus and during the ending of each melodic phrases in the verses. Speaking of the chorus, this the strongest section of the piece as Utsunomiya’s vocals are gripped with emotions and power, the sitar/guzheng sound, and the staccato’ed rhythm. All these factors clash and mesh harmonically together.

The song might not be as catchy like other songs like “Get Wild” or “COME ON EVERYBODY”. But, “”Come Back to Asia”” is a memorable song with a powerful heart.

You can listen to the full version here (for free) on NicoNico Douga.
(Click on the link to be directed to the video.)

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